From time to time we've posted entries along these lines, but they were always in the context of threads dedicated to movies that made us think polygamy was being suggested, perhaps with a wink and a nod.
This thread is for movies featuring plots in which the introduction of polygyny to the script would have solved one or more significant problems that might have diminished danger, eliminated murders, and increased the well-being of all involved.
My first entry is Whistling in the Dark from 1941 with Red Skelton. Had he not been required to choose between two different women, a great deal of cross-purpose chaos could have been avoided due to the fact that the three of them could have teamed up to solve their conundrum without wasting time on sniping at each other and being out of alignment.
This thread is for movies featuring plots in which the introduction of polygyny to the script would have solved one or more significant problems that might have diminished danger, eliminated murders, and increased the well-being of all involved.
My first entry is Whistling in the Dark from 1941 with Red Skelton. Had he not been required to choose between two different women, a great deal of cross-purpose chaos could have been avoided due to the fact that the three of them could have teamed up to solve their conundrum without wasting time on sniping at each other and being out of alignment.
Last edited: